An Anglo-Indian Box

Objects

The hybridized style of Anglo-Indian art and decor emerged from the amalgamation of the cultures of British colonial rule with the local traditions, values and forms. Here, the integration of utility with aesthetics was paramount. This concept was largely influenced by the Arts and Crafts Movement that emerged in 19th century Britain in response to the Industrial Revolution. Imbuing everyday objects with decorative value, a byproduct of skilled labour, was propagated instead of relying on mass-produced objects.

Furniture and decorative pieces within the Anglo-Indian stylistic sphere are known for their exquisite carvings and ornamented decor enveloping their utilitarian angle. This raised rectangular box, crafted from a reddish-brown wood, exemplifies this synthesis. Composed of the coveted mahogany known for its durability and malleability, it is accessible via a hinged lid. Resting on short, rounded wooden legs, the side panels have sunken campaign-style handles.

Over time, boxes and chests emerged as key household items of that period, but the beauty lies in the decorative artistry assigned to these products of utility. Brass is used as a primary decorative medium inlaid across the box in floral, floriated and geometric patterns. Bands of various thickness serve as frames to delineate the differing yet complementary design elements. The sides of each panel are marked by a set of three stylized flowers placed in square frames vertically, while sinuous, scrolling vines with petals emerge from the keyhole, a pattern also replicated on the back panel. The top is ornamented with alternating bands of floral vines and plain strips of brass. Upon opening the lid, one is welcomed by a mirror encased in a beaded and floriated frame. In addition, the blue velvet lining covering the interior, perhaps indicative of the box’s role in holding valuable objects.